editing services for writers
Editing Services for Writers
The editing service industry is large but lacks the distinct touch of the Black Wolf service. Inside the United States, the projected growth for 2018 is almost 400,000 in occupations of general interest and journalist jobs as the public demands more news and information; this demand includes a large digital footprint. This growth can also translate to global markets. However, Black Wolf gives industry professionals and students of all grade levels their own unique access to the service industry. Outside the industry, students attending the emerging or traditional universities get an affordable tool for correcting their maladaptive ways of composition and learn how to have a greater grasp of their work as they learn the secret affinity that is between author and words.
This case study focuses on the commercialization of a unique editing service for writers, called Black Wolf Editorial Services, the brainchild of Professor John Messina who developed the very special Four-Fold Editing Service that has already been utilized by many writers and students alike. Black Wolf Editorial Services provides in-depth notes on the written work or works in question and may include grammar checking, cross-referencing previous works, character reports, and acting as an additional mind for the author. Lastly, the service splits the typed manuscript into separate sections. Four copies are then labeled as Best, Second, Third, Fourth and the service then proceeds to Redline them in such a fashion that each level advances where the other had trouble. At the end of the editing process, the author has heightened each best aspect of the pieces to be submitted and the writing has been polished to where the worst aspect is brought to an at the moment acceptable level.
Now which type of editor is right for your manuscript? It depends on the stage of the project, the type of work the piece of writing is (e.g. novel, non-fiction book, proposal, or short story collection), and also your comfort level as a writer. Below are the four main types of editing services that writers of books readily seek from professional editors. Developmental editing. It is sometimes referred to as structural editing. It is the editor’s job here to look at the big picture, i.e. the structure of your manuscript at the story or industry level. Is the work logical and does it flow? Are the characters well-developed and compelling? Does the plot make sense, and is it resolved to provide the reader with answers to any questions that may have come up during the story?
Do you really need to pay someone to edit your book? Yes, you do. Working with a professional editor will give your book a competitive edge. It will assure readers that both the content of your book (i.e. the story it tells, the information it contains) and its presentation meet traditional or industry standards. Think about it. Would you buy an outfit with visible rough edges and poor stitching? Chances are you wouldn’t. Human nature dictates that we appreciate and will pay a premium for the well-made things that look and feel good instantly. Your book is no different. Note that this article does not seek to establish whether a writer needs to work with an editor. On the table, already, is the benefits of professional editing to your book. It is important, however, for you to understand the types of editing that are available before you go searching for a professional editor.
Most writers are invested in their words. They know what they want to say, and they have written and rewritten their work. It is often hard for the writer to stand back and view their writing objectively. It is true that without running a spell check on a regular basis, a writer can miss typos, spellings, and other mistakes that will still be obviously errors to professional editors. Even missing words can be overlooked and help to retype on the computer. It is also a reason to hire a professional editor to point out the mistakes, the obvious errors. As professional editors tend to see the deep editing, the consistency, the quality, and the consistency, there are many benefits of hiring a professional editor. These benefits are helpful for any writers. By in the article with many thousands of words, the writer’s eyes see the words without seeing the detail. This obsession with detail will accompany the professional writer. They are the subtle mistakes that escaped the writer. So paying for someone else to see them can save the writer’s reputation. Showing credibility is important in writing online. Using a professional editor assures the detail and consistency in the finished product to command that respect.
Why would a writer who can write very well want to hire a professional editor? It goes without saying that a writer knows the traditional process of writing, rewriting, and fine-tuning well enough to craft an article, a book, or an eBook. The writer can do his or her own editing since editing is part of the process of writing. However, there are many benefits of editing by a professional. Any writer, whether independent or represented by any publishing company, self or traditionally published, can have the advantages of professional editing services.
Most companies would charge a fast return fee for one to two-day service. You may be charged by the word, pages, corrected pages, and other methods used by the rendering service. Prices can go for less, up to eight or more dollars per 300 words. Ghostwriters that vent their services can deliver the final copy as soon as eight hours, and so do companies maintaining in-house staff such as Author House. Most companies’ batch projects would be merged unto the least expensive standard turnaround post-all critiques are transferred rightfully.
In regards to which editing service to use: critique services are most common, but certain companies provide a copy-editing combined with critique services. Both services help a writer observe mistakes in the areas of punctuation, capitalization, verb tense, consistency, and spelling. Often you may say in your own, natural voice and the editor would help you fix all of it. Why this is a plus, and what’s the difference? If you choose a service that only does critiques, you may be missing out on grammar issues that have yet to be corrected. If you choose a service that does critiques and copy-editing, you may be holding onto the ‘lazy editing syndrome reader-indulging habit’. While self-publishing remains an option, you can help prevent microscopic critique or editor errors to an extent.
The broad range of skills and services offered may attract and comfort writers. Editors, formerly known as purse-lipped ladies of advanced age, are now individuals of mixed age and both sexes, varying cultural and educational backgrounds, and differing life experiences, personalities, interests, and talents. In general, editors appreciate the literary world and respect writers, including those with the potential to become good writers. Those with solid writing experience value the writer’s investment of time, effort, and persistence to produce original, credible, meaningful, and effective works. Given diverse derivatives of human experience, principles, rules, attitudes, and practices by which to conduct and process writing are similarly operationalized. There are well-worn paths of thought, rhetoric, and technique that, if not strictly conventional, have been put to use in writing of acceptable quality.
Given the broad array of editorial services and the range of skills and knowledge of editors, it is challenging for writers to identify an editor and to assess the quality of his or her work. Writing does involve subjective elements, and what worked for one writer may not work for another. When scanning websites, newsletters, and social media, writers encounter information from editors encouraging highly critical reviews by mentioning and dramatizing commonplace editorial suggestions and presenting proposals for major revision (“transformation”) of documents. Editors may attract writers by providing them a boost to their self-esteem and a, perhaps false, sense of optimism and confidence in a writer’s future prospects.
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